H52 /
P&O /
Peter Basma-Lord lives & works in Berlin, Germany
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Quick Time Event, 2018
Break Even, 2017
Nostalgia for Terrible Times, 2017
Shock & Awe & A Wimper, 2017
1000 Mile Eyesight, 2017
Some Cat Slung Over A Meat Hook Decided it Weren't For Them, 2017
C:\WORLD\MEM.OBJ, 2016
Surface Tension, 2016
G4S, 2016
1001thingsofmine.click, 2015
Same Shit / Portugal / Mother Rice, 2015
Allegory of the Room, 2015
A Maze, 2015
A Body, 2015
Looking Out // Looking Over, New Art City Festival, online, 2021
HTTP://GSAB.XYZ, Heads Radio 042, Berlin / online, 2020
Press-Refresh.net, online, 2020
The Spinning Beachball of Death, IRL Gallery, Austin, Texas, 2019
Artist as Digital Archivist screening, Rotary Bandshell, Kamloops, Canada, 2018
Glasgow School of Art Degree Show, GSA, Glasgow, 2018
Artist as Digital Archivist screening, Ideas Block Lt, Vilnius, Lithuania, 2018
Last Futures [w/ AGAIN AGAIN], Tramway, Glasgow, 2018
A Hole In The Sky Is Open [TYVM], The Modern Institute, Glasgow, 2018
Hostile Environments, 230 Farmers road, London, 2017
Ending Never Always, Radiophrenia @ CCA, Glasgow, 2017
Composite, Oxford House, Glasgow, 2017
Fields of Wheat, Transmission, Glasgow, 2017
Nostalgia for Terrible Times, Glasgow Open House Art Festival Venue 6, 2017
1000 Mile Eyesight [w/ Jens Masimov], The Art School PS1 & PS2, Glasgow, 2017
25% Extra, Laurieston Arches, Glasgow, 2016
Babaloose [w/ ACHE], The Glue Factory, Glasgow, 2016
SYZYGY, Grace & Clark Fyfe Gallery, Glasgow, 2016
Wet Denim Trackie, SWG3, Glasgow, 2015
Blueprint Festival, Tate Liverpool, Liverpool, 2014
Interference as Foil to the System, Arts of the Working Class, 2020
Artist as a Digital Archivist online publication, x-temporary.org, 2018
You Enter, Group response to the Transmission members' show, 2016
